The first and last scenes of the epic drama “Once Upon a Time in America” take place in a seedy Manhattan opium den, bookending four hours of Proustian meandering through the decades of gangster “Noodles” Aronson. The tortured protagonist (Robert de Niro) furiously puffs away at a long pipe as the attendant provides a choppy massage. The credits roll after a close-up of a doped-up de Niro, blank expression lifting into a devilish grin of euphoria. It’s a transcendent film, enhanced by its wistful score. But wait a second. Did the film reliably depict his childhood? Did the old-age scenes ever even happen? Was it all just a dream? The only aspect of the story whose veracity cannot be questioned is the Chinese opium den.
We need to sail across oceans to appreciate the history of opium. Extracted from the poppy plant, the preparation has ancient roots. According to the entertaining documentary “Hooked: Illegal Drugs and How They Got That Way,” Alexander the Great utilized opium’s double edge to boost the morale of his troops and to subjugate the conquered. Thus, a potent analgesic and recreational drug was born. For thousands of years, opium has been incorporated into the cultures of the Old World, from the Mediterranean to Arabia to the Indian subcontinent. Without it, art and literature would have suffered more than a billion withdrawing junkies. The societal side effects of opium addiction are constant, but the case of China is especially notable for a number of reasons. It occurred on such a massive scale, resulted in two wars, and indirectly led to opium’s widespread introduction to the United States.
Julia Lovell’s “The Opium War” presents the narrative of how British imperialism pushed the drug into the ports of Chinese empire in the mid-19th century. This is a fascinating topic that many have heard of, but it has largely faded from the Western memory, and there are curiously few English-language histories available. In short, the Qing dynasty had an isolationist stance, but this was undermined by the British East India Company, who harvested the poppy plant in colonial India and smuggled it into China in exchange for silver. The transpiration of these events devastated the Chinese economy and created tons of addicts across all echelons of society, from the peasantry to the royal bureaucracy. In the film “The Opium War,” this conflict is acted out on the big screen. Interestingly, the film was released the same year the UK ceded Hong Kong to the People’s Republic of China. Good thing for subtitles, but it would have been welcome if they had included translations of the text. I sent a couple screen shots to my friend in Guangzhou, and she kindly translated for me. There are some amusing naval scenes with grand clipper ships and officers in full Queen’s regalia. We meet some of the major players, like the Emperor who launched arguably the first war on drugs, and his idealistic right-hand man Lin Zexu who tried and failed to enforce it.
Subsequent political and economic destabilization in China led to the first wave of immigration to San Francisco. After arduous days of building railroads and gold-rushing, lonely Chinese men congregated in upstart opium dens. Typical American xenophobia resulted in condemnation of these places of ill-repute. But once opium establishes a foothold, the damage is done. It spread coast-to-coast. The American Civil War saw the widespread use of morphine for battlefield surgeries. Around this time, countless “cure-all” patent-medicines sprang up. These opium and morphine tinctures were not regulated. Women, for whom drinking was frowned upon, took up this new pastime with fervor. Laudanum was in every medicine cabinet and spooned down freely. Over-the-counter heroin followed. Surely Americans were feeling rather mellow around the turn of the 20th century.
I once read that no one sensation is truly unbearable. When you feel pain, concentrate on the feeling, and try to think of it as neither good nor bad. Let ten seconds pass, and repeat. Easy, right? But pain, in all of its psychosomatic glory, has never been so easy to eliminate, and humans are lousy at envisioning their own future. The slumber party is finally over. We are all living in the everlasting comedown of an opium fever dream. Fearful and sweaty, our collective memory is a fog. If only we could reach for a consumer-friendly laboratory concoction. Maybe a pill, or a patch, or even a fentanyl lollipop. That’ll help us numb the truth: civilization has come a long way. Karl Marx called religion “the opium of the people.” Spectator sports are referred to similarly. Wherever human pain and suffering exist, pain-killers – distractions – do too. It should be no surprise that the modern opium of the masses is opium.
The contemporary opioid crisis is distinctly American. Worldwide, about 80% of all pharmaceutical-grade derivatives hit the US market. The highly-touted release of OxyContin in the 90s kept the cycle of addiction spinning. Trump declared the situation a “national emergency” last year (though he fell short of allocating sufficient resources to it). His terminology is misguided. Emergencies are ephemeral. In the case of a terrorist attack or Category 5 hurricane, a concerted effort is made to save people from further harm. The threat is self-limiting, and after its elimination, the dust settles, and equilibrium returns. The opioid epidemic is not an emergency. It’s a tragic side effect of our culture and must be understood in context. Solutions will come about slowly. Very slowly. “Law-and-order” politicians are too dense to understand this. All this blabbering about executing drug-dealers is a silly distraction ploy. Chop off an arm of a starfish and it will regrow.
The demonization of opioids is a deep and frustrating problem. Powerful pain drugs were supposed to be a solution: for cancer patients with breakthrough pain, for the traumatically injured, for the chronically uncomfortable. From the terminally ill to the young delinquent raiding his grandmother’s medicine cabinet, these medications make people feel good. If you can distribute a product that makes people feel good, that makes life just a little less bleak, however transiently, you have a multi-billion dollar business model. Look at Starbucks. There will be a demand. People will line up. When the free market becomes a regulated one, a black market fills the void. No one group is to blame in this chicken-or-egg scenario. There is a crass analogy to be made. In the past, some physicians and Big Pharma have acted like dealers and the cartels. To an addict, it makes little difference. The former may permit a first taste, the latter perpetuates it. As long as this dichotomous dichotomy operates, the down-and-out will find a way to occupy their time – and their Mu receptors. Talking heads love to forget how the whole “epidemic” extends beyond the scope of distribution semantics. Addiction is a social problem. This is about poverty and lack of education and disillusionment. This is about pain. I am optimistic that doctors will become more responsible with their prescriptions. Drug companies will launch safer alternatives. But on the whole, who can honestly say the situation will improve? Four things are certain in America: death, taxes, guns, and drugs.
Honorable Mentions:
All this thought about needles and the ever-so relevant British East India Company reminded me just how much I hate mosquitos. These “little flies” are more than a mere nuisance. They are also the deadliest creatures in the world, perpetrators of malaria, West Nile, Zika, and many others. In “Malaria: No Ordinary Mosquito Bite,” we visualize the horror of the malaria parasite replication until lysis. “The horror, the horror,” as Kurtz once exclaimed. The English did their best to combat tropical disease during the Scramble for Africa; they added quinine, an anti-malarial, to their gin and tonics. Not only did this concoction combat the deadly parasite plasmodium falciparum, but it certainly eased the scorching monotony of duty.
Two world wars and a series anti-imperial revolutions could not keep the Brits away. In “Medicine Men Go Wild,” two brothers take us on a journey with a jungle tribe in the Congo. It was interesting to see the juxtaposition of their cultures. The Bayaka are prone to various zoonotic illnesses – not surprising when your day consists of walking through swamps, swatting down bee nests, and eating various reptiles and monkeys. When illness strikes, fear not, for the tribe’s witch doctor has an arsenal of bark and leaves for you. The physicians showed undue deference to the African medicine man. It was sad to see the abuse of that little baby suffering from malaria. He could have received proper Western medicine on the spot, but instead endured a series of sadistic voodoo treatments, all in the name of making a documentary. Did the brothers behavior violate the Hippocratic oath? It’s debatable, as his condition eventually improved, but their lack the charisma is not. This documentary needs Bear Grylls, not Chris and Xand.
I was glad to watch the well-produced PBS documentary “Spillover: Zika, Ebola & Beyond.” It helped put the Ebola fiasco in the perspective of current events, and featured interviews from scientists we’ve heard from throughout the course, like Anthony Fauci and Peter Piyot. It was devastating to see those infants born with microcephaly and the doctors telling uninformed mothers that the babies will never be normal. Luckily, Zika is rare and usually non-fatal. The researchers make it clear that it’s only a matter of time before the next nightmare epidemic. I haven’t seen a mosquito in months, but when I do get cornered again, there will be no mercy.
